Ayo Edebiri has dabbled in on-screen violence before. But playing a member of a teenage fight club in the comedy “Bottoms” is one thing. Slapping the taste out of Julia Roberts’ mouth is a whole other ...
In The Godfather (1972), realism wasn’t limited to being its cinematic goal. No, it was much more. It was the vibe of the film. It was the film’s soul. So, when that and the newly rejuvenated force of ...